Only Fire

Performers

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  Only Fire

  When you hear the whisper of ~ Donatachi Music ~ you know you're in for a taste of pop's bright future. Sydney producer Donatachi seems to be shaping the genreless musical utopia we're barreling towards, boasting a veritable who's who of future icons in their collaborators and a reverence towards y2k pop stars as well as modern club boundary pushers. This culminated in 2019’s “Taste” EP, full of plush productions that are bursting with hyper colour sound design and forward thinking club beats, all with optimism and unironic love of P-O-P. After the underground hit ‘Crush On U’ featuring the infamous Slayyyter single handedly set the hyped hyperpop scene in motion, Donatachi now looks to the past for the sound of the future. “The soundscapes of 2000s Jungle and Drum & Bass had such an idealistic and utopian hope for the future, something that I want to explore and filter through a pop lens. Recent events have made me consider the kind of world I want to live in and the kind of artist I want to be

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  Slayyyter

  From her breakthrough 2019 self-titled mixtape to her 2021 debut Troubled Paradise and 2023’s STARFUCKER, SLAYYYTER proved herself to be one of the great shape-shifters of our time, taking the past, present, and future of pop and twisting it to her will. Early successes — “Daddy AF” went from viral hit making SLAYYYTER’s name online to soundtracking a key scene in the Oscar Best Picture winner Anora — fueled accolades from publications including Billboard, Paper, Variety, Rolling Stone, Pitchfork, and more, while earning SLAYYYTER opening slots with forebears like Tove Lo and Kesha. But even with all that, SLAYYYTER decided something wasn’t quite right. She decided to become who she was all along, underneath it all: the WOR$T GIRL IN AMERICA.

  SLAYYYTER’s third album is the most authentically her, while also boasting her most fully realized creative direction yet. She revisited her upbringing in St. Louis, and decided to make “iPod music” — a free-for-all of feral punk, corroded pop, and raunchy rap — conjuring the “Midwest-core tweaker bar rat” characters of her youth. Early singles “BEAT UP CHANEL$,” “CANNIBALISM!,” and “CRANK” steadily built hype for the project over the course of 2025, with fans fervently embracing the raw, swaggering Slayyyter that emerged from the ashes of her past selves. WOR$T GIRL IN AMERICA is both revelation and evolution, killing the SLAYYYTER we thought we knew so SLAYYYTER could be born for real.

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  Haute & Freddy

  Dear Royal Court, a little about us before you attend one of our spectacles...

  Once upon a time in a kingdom far far away we were part of a traveling circus.

  We loved our carnies but we wanted to sing and the ring master wouldn't approve of our songs. So we ran away.

  Soon after, we found ourselves performing at a prestigious opera house.

  Despite the audience favoring us, The Queen and King did not take kindly to our flamboyant behavior.

  Thus, we were banned. But the show must go on...

  So not-so-royal Royal Court... come sing, come dance, make a scene, grab your popcorn, and enjoy the show before The King's men finds out!

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  BAYLI
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  Katy da Voz